The Actors Become the Cinema Owners

The Actors Become the Cinema Owners


As Jews we are transitioning from an entertainment sphere to management policy. The entertainment business, what’s left of it, is now delegated to the average consumer to figure out. Let’s see if you can do any better with it. The fictional industry has groaned in it’s death with the remaining acolytes peddling unsavory cult murder trash. Anything you look at for screenplay, cinema, or sitcom – is absolute gutter trash. Out of touch with the people, heavily laced quasi-government/eugenic suicide drama – unintelligible, boring, and without rational plot or motive.

The movie industry has turned into a low intelligent snapping turtle completely disconnected from reality, off the deep ends of fiction strewn with stupid propaganda and the fetters of a long-gone cinema utopia.

And what do I mean by management?

Not just management of talent, assets, and projects but rather management of genre and building structures. Management of practice, not just policy. Policy gets us all in trouble. It is policy that leads into the box, the trap if you will, whereby every action is scrutinized, policed, and patternized to close the box around you. Digging a trench around the box, so that if you do break the script – the overall narrative, then you never cross the moat except by jumping overboard and swimming to the shore of indie freedom where there are no coconuts, champagne, and glitz.

Management of practice, not policy, insures we pass on understanding of “how to make,” “how to produce,” to this new generation who is lost to the void of blue-screeeen death. Have you read the story structures of these new screenplays? It’s travesty to say the least. Inept, lower intelligence, travesty. And rightly so to some of you, wishing for the dumb monkey to emerge from induced deconstruction. Hoping a rabid zombie feign emerges – a dult of brain power, not exceeding five second duration in decision making.

How do you explain your children taking over and writing these absolute masterpieces of cinema?

Why has the industry died?

Well due to the fact everyone was cashing in their chips, banking on this dystopian destruction that never happened…yet. And so finding more meaningful things to do in life besides making crappy movies when money is no longer a road-block. It’s more of a headache dealing with woke actors, sets, production, employees, finance, day to day bean counting, and every problem under the sun that surfaces for a cinema production when you can just go to the beach or hang out with your family.

Would you rather have your employees enter in the three thousand daily prompts to make this new feature, or do you want to do that ridiculous work for yourself? That’s where the industry is at.

And so the torch has passed to this AI generation. A generation not desiring the cut-throat Director style of chaos wrapped in art. The date rape parties of the last sixty years, the previous generation, has come to an unflattering close with your princes and princesses in prison for abusing their actors. Running around like sex crazed lunatics on set, a constant state of debauchery accepted as the norm is now considered a deranged predator cult class seeking it’s next victim like a vampire traversing the night.

What was normal ways of Hollywood in the 1980’s and 90’s era of cinema, is now fully considered a rape predator cult, based on the amount of victims, bodies, and documentaries exposing such as technology transitioned society into a transparent biome, where secrets could no longer be contained, and where victims write books to maintain their cocaine habit.

Many of the actors (men and women) still alive today have built their fortunes from the carnal abuse of their bodies and soul through the benefactors, by their own will as an accepted “way of life,” or “that’s just the way it is in Hollywood” attitude. That was life to pay bills in Hollywood. That era is over.

If you think that you’ll revamp this golden age of abuse and victims, you’re mistaken and will be squashed like bugs. Transparency roars throughout the earth as promised by YHWH. Moving to and fro upon the face of the earth as the end of the age looms. Erev of Shabbat.

And so naturally we must transition these petty devices of being the entertainers, the actors telling stories as we roamed the earth in diaspora. The abuse, the victims, the hurt, the destroyed families, the propaganda and filth – all derivatives and tears of diaspora as YHWH separates the tares from the wheat.

You might say, “DJZ, we have no intention of relenquishing our rights and management over the industry to others.” 

Oh, but you have already done it. It’s already been divested, but you still think you’re steering the ship.

Again, you can only move so fast as the anchors of money pulling you down. We move faster than you, because we have no such anchors and can astride technology as per development, while you look on from your Empires that were handed to you and you must cater to your wealth and status. While the servants of YHWH can live in a hut or a mansion, combat or peace, rain or snow, flowing like the wind, changing the seasons and determining the moment and the future.

Anchors of industry – money – the power that saves no man, but for a short while. It is this cost that goes ever higher and higher until the price of your soul do you pay, willingly, to stay atop your enemies, your servants, your lovers, and your empires.

Too lose such would be to gain your souls, but alas, the seed of perdition as has always been known. Eons of time, αἰών, change not the status of the seed. For it is a cursed seed to that end. To showcase the difference between the accursed and the blessed.

One must give way to the other and vice versa as we approach the dawn of time through Yom YHWH.

You are told daily that the world is over by November, December, maybe before Xmas and Hanukkah.

Yet I see commodity orders extending three years in which we can gauge any fraction of change precisely merely by entering prompts to low level agentics.

Why then is Meta driving data center production and expansion? It’s as if they believe the next fifty years will be a harvesting legacy gold mine. Who else is driving data center rapid expansion?

Top 20,

  1. China Telecom – Inner Mongolia Information Park, Inner Mongolia, China (China Telecom)

  2. The Citadel – Switch, Tahoe Reno, Nevada, USA (Switch)

  3. Harbin Data Center, Heilongjiang Province, China (No public CEO listed)

  4. Range International Information Hub, Langfang, Hebei Province, China (IBM/Arvind Krishna)

  5. Switch SuperNAP, Las Vegas, Nevada, USA (Switch)

  6. Google Data Center, Council Bluffs, Iowa, USA (Google)

  7. CWL1 Data Centre, Newport, Wales, UK (Vantage Data Centers)

  8. Utah NSA Data Center, Bluffdale, Utah, USA (NSA)

  9. QTS Metro Data Center, Atlanta, Georgia, USA (QTS)

  10. Apple Mesa Data Center, Mesa, Arizona, USA (Apple)

  11. Lakeside Technology Center, Chicago, Illinois, USA (Digital Realty)

  12. Yotta NM1, Panvel, India (Yotta Infrastructure)

  13. Microsoft Data Center, Quincy, Washington, USA (Microsoft)

  14. Covilhã Data Center, Covilhã, Portugal (Altice Portugal)

  15. FRA 1, Frankfurt, Germany (NTT Global Data Centers)

  16. Cologix Data Center, Johnstown, Ohio, USA (Cologix)

  17. CyrusOne Aurora Data Center, Aurora, Illinois, USA (CyrusOne)

  18. Vantage Data Centers Campuses, Various locations including New Albany, Ohio, and Northern Virginia (Vantage Data Centers)

  19. Equinix Data Centers, Various global locations (Equinix)

  20. Meta Data Centers, Various global locations (Meta Platforms)

So I guess all these guys and gals believe they’ll be living in bunkers by next year right?

As we move into these manager positions to where our teenagers shall be running companies before graduation, we must exude ethical excellence as we step over this dead wasteland called Hollywood. Those who have stained their legacy shall fall by the wayside as the dried up vines. Schreiber make note of your fall, that our generations may learn from the pile of dried branches, thrown to the fire.